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To be perfectly honest, a majority of the movie and the underwater action sequences are in 1.78:1 widescreen, making the 2.39:1 anamorphic scenes rather moot and questionable, so owners will want to just stick with and use their 16:9 screens to better enjoy the movie.
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In fact, the many, many CG battle sequences are continuously distinct and well-defined from a distance, allowing us to see every piece of debris and rubble while appreciating the tiniest imperfection and crack in the dilapidated wreckage of the ruins.Īlso worth noting, the presentation is not CIH friendly, alternating between aspect ratios often intended for IMAX screens but not actually shot in that format. More impressive still is the sharply defined stitching and threading in the Atlantean costumes, the thick nylon belts and the minute flaws in the various weapons, which are plainly visible even during the fast-paced action. Viewers can clearly make out the smallest detail in the remarkable production design, be it inside the Curry home or outside the local bar.
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The freshly-minted, reference-quality transfer is also endlessly razor-sharp and near flawless, revealing every pore, wrinkle, and blemish in the face of the cast, especially during close-ups. And black levels are inky rich and luxurious, particularly during the many underwater sequences where dark, stygian shadows penetrate deep into the screen while maintaining exceptional visibility of background details, providing the image with a three-dimensional feel and a lovely cinematic appeal. At the same time, pitch-perfect contrast and brilliantly crisp whites turn every scene, both above and below water, into spectacularly vivid screensaver moments. The HD video also boasts richly-saturated primaries throughout with impressive variation in the various tones and shades, particularly the reds and blues. Right from the opening moments, Don Burgess's cinematography captivates with an extravagant display of sumptuous secondary hues and pastels, from the gorgeous picturesque scenery of the lighthouse and the town on the Sicilian cliffs to the radiant neon lights of the underwater cities and battles. The US street date is March 26, 2019.The Dweller in the Depths swims to the rocky shores of Blu-ray with a colorfully stunning and absolutely spellbinding 1080p/AVC MPEG-4 encode that blows other DCEU titles out of the water, making it easily the best-looking entry in the series. On May 5, 2019, Aquaman will be released on the German market. Germany, for example, where it was released uncut with a 12 rating on DVD, Blu-ray and 4K UHD Blu-ray. They now have no choice but to import it abroad where it is not affected by the cuts. They found the BBFC 15 rating which the ratings board would have given the uncut version to be too high and potentially threatening for their financial goals.īut the fact that all English home cinema releases are now equipped with this version, as well, should annoy especially those fans who avoided going to the cinema because of the censored version. will even pat themselves on the back that they produced a censored BBFC 12 version for the theatrical release. Therefore, the British branch of Warner Bros.
The fact that Aquaman would be even more successful with $1.142 billion at the box office came as a big surprise. But there have been signs of hope, because Wonder Woman not only convinced critics, but also viewers who flocked to cinemas in masses and created a worldwide box office revenue of $822 million. A concept that works very well in the Marvel/Disney universe, mind you.
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demonstrated how to largely fail at creating a surefire concept and big financial earner. With the DC Cinematic Universe, Warner Bros.
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